News
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September 7, 2022
DH Summer Fellow May Hathaway's Letterboxd Project
May Hathaway, a rising sophomore studying English, Linguistics, and Computer Science, spent this summer as a Mellon Undergraduate Fellow at the Price Lab. As a research assistant on Dr. Jim English and Dr. J. D. Porter’s Literary Eclecticism project, May developed her own project to study film ratings and user behavior on the popular Letterboxd social movie-review site. By applying the web-scraping skills she learned on the Eclecticism project, May wrote Python scripts to harvest user data from the Letterboxd website, and then created data visualizations with Tableau.
“My project has focused particularly on the distinction between ‘influencers’ and regular users,” explains May. “I'm interested in how their user ratings may conform to a bell curve, a J-curve, or other common shape as visualized on their profile page. Additionally, my project has shed some light on the different ways users use Letterboxd's rating function; for example, some users may only rate their 5-star movies or may write many reviews but not rate any movies at all. Through my project, I've been able to identify common rating curve patterns and rating differences between influencers and regular users.”
May plans to continue working with Jim and J.D. this fall to refine her work and prepare to submit for publication in the spring.
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April 22, 2022
Angelina Eimannsberger awarded the Arthur M. Daemmrich and Alfred Guenther Memorial Prize
Congratulations are in order for Mellon Middoctoral Fellow Angelina Eimannsberger (Comparative Literature) who has been selected by the Department of Germanic Languages and Literatures and the Comp
Congratulations are in order for Mellon Middoctoral Fellow Angelina Eimannsberger (Comparative Literature) who has been selected by the Department of Germanic Languages and Literatures and the Comparative Literature and Literary Theory Program to receive the Arthur M. Daemmrich and Alfred Guenther Memorial Prize in the amount of $2,500 for her outstanding achievements in Comparative Literature Studies.
Professor Emeritus Horst Daemmrich (University of Pennsylvania) and Professor Emerita Ingrid Daemmrich (Drexel University) established the Daemmrich-Guenther Memorial Prize in honor and in memory of their respective fathers. -
March 4, 2022
ANNOUNCEMENT: Summer Support for Digital Projects
ANNOUNCEMENT: Summer Support for Digital Projects
ANNOUNCEMENT: Summer Support for Digital Projects
APPLICATIONS WELCOME FROM: Faculty, Graduate Students, and Research Staff
APPLICATION DEADLINE: April 4, 2022
The Price Lab and Penn Libraries are now accepting proposals for the Summer 2022 Project Development Sprint, a student-centered program designed to provide support for data-driven research and scholarship in the humanities and humanistic social sciences. Successful applicants to the program will be provided with access to our team of fully-funded student developers, working under the guidance of the Price Lab’s Digital Humanities Specialists and the Libraries’ Research Data and Digital Scholarship team, assigned to their projects over the course of the summer.
The goals of this program are to:
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provide an opportunity for SAS faculty, students, and staff to engage in the production of original digital research and scholarship.
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provide students with transferable technical skills and experience in collaborative project building;
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build capacity for experimental DH work at Penn.
While we are open to applications that engage any number of digital modalities, we have particular expertise in:
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text and data mining
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network visualization and analysis
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data analysis and visualization
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natural language processing
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public scholarship
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digital exhibits and publications
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visual design
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web mapping
To see examples of projects we have supported in the past, visit the Projects At Price Lab page and the Library’s RDDS projects page.
We are committed to diversity and inclusion in collections, publications, and collaborations. This means, in part, prioritizing underrepresented and unjustly marginalized voices and perspectives. In your application, you will be asked to explain how your project will help us meet this commitment.
Applications are welcome from faculty, research staff or graduate students from the School of Arts & Sciences, including those collaborating with others outside the School. Graduate Student applicants must name their faculty advisor and include that faculty member's contact information as part of their application.
To discuss the suitability of your project for this program, please schedule a pre-proposal consultation with Stewart Varner, Managing Director of the Price Lab (svarner@upenn.edu).
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February 1, 2022
Cut/Copy/Paste: Fragments from the History of Bookwork: New book from Whitney Trettien (Penn English) is out now
Cut/Copy/Paste: Fragments from the History of Bookwork
University of Minnesota Press
Cut/Copy/Paste: Fragments from the History of Bookwork
University of Minnesota Press
In Cut/Copy/Paste, Whitney Trettien journeys to the fringes of the London print trade to uncover makerspaces and collaboratories where paper media were cut up and reassembled into radical, bespoke publications. Bringing these long-forgotten objects back to life through hand-curated digital resources, Trettien shows how early experimental book hacks speak to the contemporary conditions of digital scholarship and publishing. As a mixed-media artifact itself, Cut/Copy/Paste enacts for readers what Trettien argues: that digital forms have the potential to decenter patriarchal histories of print.
From the religious household of Little Gidding—whose biblical concordances and manuscripts exemplify protofeminist media innovation—to the queer poetic assemblages of Edward Benlowes and the fragment albums of former shoemaker John Bagford, Cut/Copy/Paste demonstrates history’s relevance to our understanding of current media. Tracing the lives and afterlives of amateur “bookwork,” Trettien creates a method for identifying and comprehending hybrid objects that resist familiar bibliographic and literary categories. In the process, she bears witness to the deep history of radical publishing with fragments and found materials.
With many of Cut/Copy/Paste’s digital resources left thrillingly open for additions and revisions, this book reimagines our ideas of publication while fostering a spirit of generosity and inclusivity. An open invitation to cut, copy, and paste different histories, it is an inspiration for students of publishing or the digital humanities, as well as anyone interested in the past, present, and future of creativity.
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September 15, 2021
Jonathan Scott Enderle, 1978-2021
The Price Lab and the wider DH community at Penn are mourning the death of our dear friend and invaluable colleague, Scott Enderle.
The Price Lab and the wider DH community at Penn are mourning the death of our dear friend and invaluable colleague, Scott Enderle. Scott was the lead programmer and project manager at the Price Lab since 2015. But his connections and friendships on our campus date back much further. He came to Penn as a graduate student in the English department in 2003, after receiving his bachelor’s degree at Texas A&M. Under the direction of Michael Gamer, he wrote a dissertation on the rise of the novel, the emergence of copyright law, and debates over the origin and communication of ideas in 18th century Britain. He received his Ph.D. in 2011, leaving Penn to accept a position as assistant professor of English at Skidmore College, but returned four years later as our Digital Humanities Specialist, a newly created position in the Library and the Price Lab, funded by the Mellon Foundation.
As the University’s first DH Specialist, Scott played a major role in shaping both the research program and the curriculum in digital humanities at Penn. His depth of historical knowledge, evident in publications such as his 2016 essay on copyright law in PMLA, made him an important resource for scholars in the History of Material Texts group and the English department as well as in the Price Lab. Some of the research projects he developed include the English Playbills project with Michael Gamer, the Star Wars Fan Engagement Meter with Peter Decherney and James Fiumara, the Shakespeare Census with Zachary Lesser, and the Mining Goodreads project with Jim English. But he had a guiding hand in nearly every DH project that focused on the history of the book or involved techniques of text mining, machine learning, or data visualization.
Scott made a point of including undergraduate students on all his project teams, helping them to become confident practitioners of data-driven humanities research. Over the years, he mentored dozens of students in addition to the many he taught in classrooms. As the English department’s Lecturer in Digital Humanities, he developed the University’s introductory course in programming for the humanities, and was one of the principal architects of the DH Minor program in the College of Arts and Sciences. His ability to explain complex matters of quantitative analysis and visualization to humanists was a boon to his faculty collaborators as well as his students. At team meetings in the Price Lab, he was often drawing on the white board with a marker pen, miraculously bringing clarity and simplicity to the most difficult concepts. Indeed, Scott was the great teacher to all of us at the Price Lab: unfailingly patient, empathetic, gentle, and good-humored. What we learned from him will continue to guide much of what we do for years to come. We count ourselves immeasurably fortunate to have been his colleagues.